Intro --- Pre-maze --- Cretan --- Roman --- Chartres --- Turf --- Garden --- Other --- Design --- Lay out --- Designer --- Games
The quaint mazes in the wanton green for lack of tread are undistinguishable. Midsummer Night's Dream by William Shakespeare (1564-1616)
How old are they? Who knows? Some have a documented history, but even that may not tell the whole story. By their nature, you can't tell much about their history by looking at them. As Shakespeare points out (see the quote above), you need to constantly remake a turf maze or it disappears. We don't even necessarily know whether the design is original. The first mention of Saffron Walden in 1699 describes it as being recut, and this has happened several times since. Normally, a recut would redo the original design, but if you got bored with it, you could change the design. The earliest plan of the maze is from 1768. But all these dates do is tell us is that the maze is at least this old. The Hilton maze has a monument in the centre saying that that it was cut in 1660. But was it created then, or was this a recutting? The quotes from Shakespeare show that he knew about the mazes, which pushes the history back another century, but he seems to think of them as disappearing. It's tempting to think that these mazes may be much older, but no evidence, alas!
The traditional turf mazes don't have original designs; they use the Chartres or Cretan designs. It would be easy to get excited by the Cretan design, and assume that this is evidence for these mazes being very old indeed. But the Cretan design has been known for a long time, and people making a maze may have decided that it would be a good pattern to copy. The Chartres design seems to give a definite point; those mazes can't be older than 1235 AD, when Chartres cathedral was built. Well, the mazes in that form can't be older, but what if their original design were Cretan too? Then the local churches may have decided that these mazes were associated with dubious customs (see myths), and demanded that the mazes were recut in a more Christian pattern - the Chartres design, whose arms signify the cross of Christ. That would allow all the mazes to be very old indeed. I suspect not, though. But they are centuries old, which is good enough.
Traditional turf mazes have inspired several modern mazes. Some use traditional designs, but some have designed their own pattern, which is excellent! There are a few on this page, at the bottom.
The turf mazes are all unicursal, that is, they have no choices or branches. There is a single path wiggling its way to the centre. They are all flat. They are set in grass, and they are made by digging up a strip of turf revealing the ground beneath. Sometimes the cut bit is the path and the grass between the wiggles, the 'walls', and sometimes the grass turf is the path and the ground the 'walls'. You can see that such a maze would easily disappear if the grass starts growing back, which it would have a tendency to do. In modern times, the maintainers of turf mazes have very sensibly laid bricks or other material in the cut areas to make the mazes more durable. I find it quite strange that there isn't agreement whether the grass is the path or the walls. It seems so obvious that you don't want to walk on the grass, as this would wear it out. In fact, Shakespeare's quote (above) shows that "for want of tread" the maze is disappearing, which shows that people walking on the path wore the encroaching grass away to preserve the maze. A flat maze does seem odd. You expect a maze with real walls rather than just a pattern on the ground. But it has the advantage that when you've walked it, you can just walk out in a straight line, stepping over all the walls on the way out. It also means that you can see the pattern laid out before you. Hedge mazes are fun to get lost in, but they do look rather dull, as the hedge stop you from seeing anything.
Standard Chartres design
Super Chartres design
Mini Chartres design
Standard Cretan design
Double Cretan design
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Saffron Walden mazeSaffron Walden is a town in Essex. Its name comes from a crop which made it famous, the crocuses which make saffron. It has a large English turf maze on its town common, in the centre of the town. The town records that the maze was cut in 1699. Some years ago during a dry summer it was possible to see a 'shadow' of another maze of same design on another part of the Common. Possibly this was the site of the original maze mentioned in 1699 and it was moved at a later date to the edge of the Common for practical reasons. The grass is the 'walls' of the maze, and there is a brick path, which is nearly a mile in length although the diameter of the maze is less than 150 feet across.
In 2011, Saffron Walden had its first maze festival. There was a small exhibition in the library, which included this news clipping. The nineteenth century game is interesting. It is strange that the article thinks that there is only one other grass maze in England. As for the descriptions of origins, the 'shoemaker' seems to come from the known cutting of 1699, and the Dutch soldiers perhaps because William of Orange came to Britain in 1688, which is just before. Dr. Stukely can be safely ignored, I think. He is great fun, but not reliable. Mr East's theory sounds plausible, but unfortunately the church is not particularly close to the maze, and I would have thought that the Puritans would have disapproved of beer-fueled rustic games almost as much as religious use of the maze! The last sentence shows the the maze was in poor condition at the time of the article, which unfortunately wasn't dated. Now there are plenty of people who have walked the maze.
Riddles set by Walden's maze by Sue Lake
How do you get to Waterloo from Newmarket - without leaving Saffron Walden? Our great-grandparents, if they lived in the town, would probably have known the answer. The key to the riddle lies in Saffron Walden's maze, that curious series of concentric banks and paths cut into the Chaters Hill side of the common. Mr Frank East, of 9 Artisqans Dwellings, has been studying the history of the town for the last 8 years and has come up with some fascinating details of the maze's origins and history.
In Victorian times, and probably earlier centuries as well, the maze was used in connection with "rustic revels". A small handmade book in Saffron Walden's museum gives the rules of one game played there. Each part of the maze was named. The central grass plot was known as Waterloo - a topical reference, Mr East believes, to the end of the Napoleonic wars, which helps to date the game. So that people would remember the names, the four quarters of the maze were given the names of the towns to which they point - Newmarket, Cambridge, Stortford and Chelmsford. The object of the game was to run a pretermined route through the maze, which is about a quarter of a mile in circumference, in a given time, with pots of ale being waged on the outcome. Severl other rules are given in the notebook. If the competitor "while turning to enter a fresh track does not place his foot immediately opposite the turn" or in other words, cut the corner, he lost his bet, as he did if he fell, left the track or touched his foot against the end of one of the eart ridges. It sounds easy, but a practical trial will prove how difficult it is to negoiate the maze at any speed - and the competitors no doubt found it even harder after a few pots of ale!
The maze-running game must have been a popular local diversion because the notebook adds: "To prevent confusion, and in order that all the spectators may have an equal share in observing the race, the Umpire will announce the beginning of the race, when every person must immediately clear the ground and arrange themselves along the Fortification (outer bank)." Said Mr East: "A man in Sheffield says that he remembers 'walking the maze' as a boy in Walden, which suggest that the use of the maze for games survived, at least among children, into the 1990's." The notebook containing the rules is unsigned, but Mr. East thinks that the handwriting is that of Joshua Clark, a prominent local antiquarian of the last century. Attached to the book is a plan of the maze with, pasted to the back, a page from the town's account book bearing the entry in faded brown ink: "March 27th 1699 for cutting the Maze at the end of the Common 15/-d."
What was the maze used for before 1699 and when was it first made? Saffron Walden is one of only two grass mazes in the country (the other is in Rutland) and there have been many theories about its origins. Probably the most popular is one advanced by an Oxford historian and supposedly supported by a document in the British Museum, that it was cut by a journeyman-shoemaker at a cost of fifteen shillings. But it has also been held that the maze was cut by Dutch soldiers who came over with William of Orange, while a Dr. Stukely, also from Oxford, has stated that it is a Roman "games field" used for playing a game of mock military manoeuvres called Troia Luden.
Mr East favours yet another theory. He believes that the maze, which is conveniently close to St. Mary's Church, is of religious origin. Starting in Italy in the Middle Ages, Christian teachers adapted an already ancient rustic sport to a moral purpose. The winding path through the maze, they said, denoted the errors of human life, and a way out could only be found through the guiding thread of salvation. The practise of maze-making spread through religious houses in Italy and France, and examples can be found at Chartres and St. Quentin. But in England, it is thought the paved labyrinth was replaced by a turf maze. "If this theory is correct", said Mr. East,"the religious use must have died out in Puritan times, but it continued to be used for rustic games and frolics. Although public expenditure is tight for such a purpose, perhaps the various societies interested in preservation might be able to come along with a scheme to re-cut the ancient paths and replace the picket fence which surrounded the maze in 1816."
Anothe new clipping was by P. G. M. Dickinson. He starts by describing the Saffron Walden maze, and goes on to say:
When Mazes were made, why and by whom, are questions at present unanswered for there is no adequate literature on the subject and an exhaustive archaeological investigation has yet to be made. Mazes rarely appear in local records before the 17th century and then only when some of other re-cutting is mentioned. That they were in being long before is certain and it has ben surmised that they may go back to before the Chritstian era and were connected in some way with fertility rites. This supposition seems to be borne out to a certain extent by the fact that as late as the 18th century they were often the scene of bethrothals. The young maiden stood on the central island and if her suitor could reach her without stumbling once, then he would be accepted; otherwise he would have to try again or give up the contest.
Hilton maze is on the common of the village of Hilton, north of Cambridge. There is a stone monument in the middle, and a notice describing the maze. Unlike Saffron Walden's maze (above), the grass is the path, with a sunken gravelled area as 'walls'.
Click on the photo of the notice for a larger (readable) version. Below are the parts of the notice about the maze.
Hilton Maze is one of the eighth surviving turf mazes in England. According to the Latin inscription on the monument in the centre, it was cut in 1660 by the nineteen year old William Sparrow to commemorate the restoration of Charles II to the throne.
GVLIELMVS SPARROW GEN. NATVS ANO, AETATIS SVE 88 QUANDO OBIT, HOS FORMAVIT ANNO 1660
"William Sparrow, Gentleman, born in the year 1641, aged 88 when he died, fashioned these circles in the year 1660."
He probably copied the pattern of the Maze from a maze, now destroyed, at Comberton, where his brother-in-law, Barron Brittaine, lived. The Maze, like all turf mazes, is unicursal. That is to say that it has one single path, with no wrong turnings, coiled into an endless labyrinth. This particular pattern is often found in medieval art, most notably on the floor of Chartres Cathedral in France.
The origin of mazes is uncertain, but it has been suggested that they were used as a sort of mini-pilgrimage, to be traversed on one's knees as a penance - alternatively that they were used in a rite to cast out the Devil, who could only travel in straight lines.
Turf mazes were once common on village greens, but they disappear if they are neglected, as Shakespeare suggests in A Midsummer Night's Dream:
The quaint mazes in the wanton green,
for lack of tread are undistinguishable.
I should point out that the monument itself must have been put up considerably after the maze was made, unless they could predict that the man was going to die more nearly 70 years later! In fact, the monument has wiped out part of the centre of the maze. You can see from the photo that there are at most 9 circuits, while a Chartres maze should have 11. Now, assuming that the monument was put up as a monument to William Sparrow, Gentleman, 70 years is a very long time to remember the details of what happened. Did he really make the maze, or did he merely recut an older maze? You would expect that 'the wanton green' would be extremely unpopular during Puritan times, and the Restoration would be a good opportunity to bring back the old times. Would people remember this 70 years later, or would they exaggerate the feat on his monument? Since they destroyed part of the centre of the maze, it suggests that they didn't have much feeling for it, or possibly that it was falling into decline again, and the centre had already been lost.
In 2011, Saffron Walden held a maze festival. There was a small exhibition in the library which had a news clipping. Unfortunately it wasn't dated, but the mention of television shows that it is second haf of the twentieth century. There is a hole near the top which obliterates some of the archivist's name. The following extracts from this clipping have the interesting information that what we see now is a recut version of the Hilton maze.
Mr P. G. M. Dickinson the Huntingdon and Peterborough Archivist has spoken on television aboutit, and not so long ago he was interviewed for the Today programme, when he conjected a very ancient ancestry to the maze.
In the interval he has supervised some recutting of the turf which has again provoked controversy. Until now the entry point has led one straight to the centre. It is doubted if this was always this way. Certainly it was a unique form. One wonders did the youthful 19-year-old William Sparrow really pay out this maze. If so, was it just for rustic sport?
... (discussion of other mazes) ...
Just over the border of Cambridgeshire in Essex at Saffron Walden is rather a large maze. Hidden by a bank from the road it has four bastions at the corners and a raised centre. There are ancient accounts of its recutting. There is, too, a tradition here that this is only a copy of a uch larger maze which once existed to the east. It is recorded that here in the 18th century young bloods of the town congragated and enjoyed a complicated system of rules and wagers (in gallons of beer) for walking the maze). Were they, still, coarsely perpetuating some ancient ceremonial rite. One which, it suggests, went with fertility rites for the tribal communicyt and maidens staked at the centre. If so, we have a close connection with the Cretan myth of the Minotaur to whom were sacrificed Athenian youths and maidens until Theseus slew the beast. So we return to the Sparrow maze at Hilton. Perhaps the young Sparrow, related we are told to the more famous Sparrow family of Ipswich, bowed to the Puritans and erected his pillar to proclaim the maze newly cut - although he well knew the rustic lore of a more ancient maze on this same point.
This maze is different to the rest on this page, as it cannot be called a new maze, yet it is not one of the traditional turf mazes.
Lyveden New Bield is an unfinished Elizabethan summer house in the east of Northamptonshire. It was constructed for Sir Thomas Tresham, the fervent Roman Catholic of Rushton Hall. The exact date is unknown but can be estimated to circa 1604–05. There was an associated garden, but it was ploughed over, and assumed to be lost. However, in 2010, National Trust experts studying photographs taken by the Luftwaffe during the Second World War discovered the remains of an Elizabethan labyrinth, garden and orchard in the grounds.
Here is a plan of the maze, path in red on the left, and walls in blue on the right. It is a unicursal maze (apart from a short cut out). It is similar to a Chartres, but not quite. One oddity is that the arms are not at right angles. The summer house is full of Catholic symbolism, and it is odd that this maze is not a direct copy of the one in Chartres cathedral, where the arms of the maze represent the Christian cross. Perhaps the three arms close together are representing the Trinity instead. But perhaps they were just being practical, since the entrance required more room, and so it is more sensible to squash the other arms together! The other possibility is that the aerial photo gave a distorted view, or perhaps the soil was disturbed somehow.
The quaint mazes in the wanton green, for lack of tread are undistinguishable. Titania in Midsummer Night's Dream Act II Sc 1
Here's a maze trod indeed, through forth-rights and meanders! Gonzalo in The Tempest Act III Sc 3
These quotes by Shakespeare (1564-1616) give a vivid glimpse of turf mazes. He insists that you 'tread' a maze; nowadays, we would say 'walk' a maze instead, perhaps. The Chartres design is notable for right-angled bends (forth-rights) and slow curves (meanders). The paths of turf mazes disappear unless people tread them (walk along the paths). Several turf mazes are indeed on village greens (although perhaps not quite so 'wanton' in modern times!) The notice board on the Hilton maze mentions this quote.
Shakespeare mentions labyrinths as well, as places to get lost rather than somewhere you walk.
Thou mayst not wander in that labyrinth; there Minotaurs and ugly treasons lurk. Suffolk in Henry VI, Part i, Act 5, Scene 3
What, lost in the labyrinth of thy fury! Thersites in Troilus and Cressida, Act 2, Scene 3
And when thou hast on foot the purblind hare,
Mark the poor wretch, to overshoot his troubles
How he outruns the wind and with what care
He cranks and crosses with a thousand doubles:
The many musets through the which he goes
Are like a labyrinth to amaze his foes. Venus and Adonis, Stanza 112
Again, the doubling back of the hare is very like the doubling back of the path of a maze.
Ben Jonson (1572-1637) lived at roughly the same time as Shakespeare. Here is a song from his masque "Pleasure reconciled to Virtue":
Come on, come on! and where you go,
First figure out the doubtful way,
Then as all actions of mankind
But measur'd and so numerous too,
For dancing is an exercise,
A song by Daedalus in the masque "Pleasure reconciled to Virtue" (1618)
Daedalus was supposed to have created the famous labyrinth in Crete that contained the Minotaur. You may notice that Ben Jonson mentions "labyrinth or maze" as meaning the same thing. He is comparing a dance to a maze, which suggests a unicursal maze rather than a branching maze. Not surprising, perhaps, as this is 1618, and Hampton Court maze, one of the earliest branching mazes in Britain, was not until 1690. A flat maze like a turf maze would be suitable to dance through, if you wanted, and people walking the maze look a bit as if they are dancing.
Richard Corbet (1582–1635) was another poet at the same time. Here is his poem "Farewell to the Fairies":
Farewell, rewards and fairies,|
Good housewives now may say,
For now foul sluts in dairies
Do fare as well as they.
And though they sweep their hearths no less
Than maids were wont to do,
Yet who of late for cleanness
Finds sixpence in her shoe?
Lament, lament, old Abbeys,
The Fairies’ lost command!
They did but change Priests’ babies,
But some have changed your land.
And all your children, sprung from thence,
Are now grown Puritans,
Who live as Changelings ever since
For love of your demains.
At morning and at evening both
You merry were and glad,
So little care of sleep or sloth
These pretty ladies had;
When Tom came home from labour,
Or Cis to milking rose,
Then merrily went their tabor,
And nimbly went their toes.
Witness those rings and roundelays
Of theirs, which yet remain,
Were footed in Queen Mary’s days
On many a grassy plain;
But since of late, Elizabeth,
And later, James came in,
They never danced on any heath
As when the time hath been.
By which we note the Fairies
Were of the old Profession.
Their songs were 'Ave Mary's',
Their dances were Procession.
But now, alas, they all are dead;
Or gone beyond the seas;
Or farther for Religion fled;
Or else they take their ease.
A tell-tale in their company
They never could endure!
And whoso kept not secretly
Their mirth, was punished, sure;
It was a just and Christian deed
To pinch such black and blue.
Oh how the commonwealth doth want
Such Justices as you!
This seems to be sympathetic to Roman Catholics, but Richard Corbet was a bishop in the Church of England. The verse which is relevant to mazes starts "Witness those rings and roundelays". These could be 'fairy rings' caused by a type of mushroom, which caused a ring of dark green grass, or died back green. These were supposed to be caused by dancing fairies. However, I wonder if it could refer to the old turf mazes, which perhaps were disapproved by the Protestant religion. So they were 'footed' in Mary's time, but now were beginning to fade into obscurity. It is interesting that Hilton maze (see above) was 'fashioned' in 1660. This is the year that King Charles II was restored to the throne of England. His opponent was Oliver Cromwell, the famous Puritan.
You may have noticed that I have scattered other people's quotes throughout this website, under the headings.
Please note that modern designs are copyright, and if you wish to use them, you should contact their creator.
|Bispham Drive Junior School (near Nottingham) built a turf maze in their school grounds of a baby Chartres design. They built it as a millennium project using muscle power from 65 pupils aged 10-11 years old. They made the paths with 3 tonnes of crushed Derbyshire gritstone. It only took 1 day of intensive work and has proved very popular with the other pupils. It's 12 m across and takes 97m, or one minute forty seconds of normal walking, to reach the centre.
As this is a school, it's a private maze.
Maze at ThetfordJohn Davies has made a turf labyrinth in his garden on the site of a hard tennis court no longer used. It is surrounded by oaks and beech with a few Scots pine. It is a copy of the design of the one at Chartres although slightly larger. It's in deep country in rural Norfolk near Thetford and is a place of peace and tranquillity.
It is open to the public by appointment and when the garden is open for the National Gardens Scheme or other local charities. He does not encourage casual callers!
If you're interested in visiting: ring John Davies at +44(0)1953 885900
His webpage gives an account of its design and construction, with photos and hints for other maze-makers
|Tom Baxter visited the maze at Saffron Walden, and was inspired to design and build a maze of his own in his yard (garden). These were his criteria and this is his design:
* It must fit in his yard (so, a maximum of eight rings)
* It should be a unicursal pattern
* It should be interesting to walk (like the Chartres maze, not predictable like the Roman or Hanover)
* It should be cruciform and reasonably symmetrical (like the Chartres maze)
* It should look good
* Most important! The spaces between the lines of the path should form a mystery maze (the get-lost variety) of moderate interest difficulty.
After some snow, the brick path melted before the grass, giving this wonderful ghost maze.
|Dave Johnson and his wife designed and built this maze to use some leftover bricks. He describes it as "A sort of mini-Chartres with 3 arms instead of 4. Only one little asymmetrical jog, near the center. We planted it in chamomile, for fragrant treading. It will take a while to grow in, but will be glorious when it does. The maze is, as you can see, very small (about 10 feet in diameter) so actually walking the path requires narrow feet and fine balance. But even paddle-footed me can straddle the path on the bricks, and have a satisfying journey that way."|
Nick Brazil has designed this maze which has been built in Whitchurch-on-Thames village, in Oxfordshire. See their webpage for details. The maze opened on Jun 27 2004, and here is a splendid photo of the opening.
Doddington Hall is a late Elizabethan mansion. In the gardens, there is a turf maze, made in the 1980s. It is a branching maze. The solution is given below, in blue.
|If you look carefully at a Chartres maze, you will see that three of the arms have very similar (but not identical) patterns, made up of path straight through followed by paths looping back. The bottom arm is quite different, and much more complicated.|
|It occurred to me to try to design a maze with just simple arms. After some experimentation, I found that you could produce a maze in the Chartres pattern with three arms, each starting at a different point in the pattern.
If you are prepared to change the design slightly, you can produce a four armed maze with a slightly different pattern, with two paths straight through, followed by paths looping back.
Both these mazes produce a path to the centre, with a different path coming out again.
I don't think that anyone has used either of these for a turf maze, but feel free to use them yourself, if you wish!
© Jo Edkins 2008 - Return to Maze index